Growing up when I did–a long, long time ago–I had abundant opportunities to cultivate my imagination. The games we played as children could not depend on media or even toys…with rare exceptions. Kitchen utensils and tin cans, my mom’s broom and a few cardboard boxes were all I needed to play house. I baked mud pies and used small swatches of material to make clothes for my doll. Sticks became arrows and we kicked a can. It was a wonderful childhood that provided plenty of exercise and ample opportunity for developing an active imagination.
Then along came adulthood. No more room for flights of fancy or escapes into other cultures…except perhaps in between the covers of a good book when there was time. Television took over relaxation and it was so easy to slip into modes of passive entertainment.
But for us, as writers, an active imagination is as important as pen and paper or a computer and keyboard. How often are you able to time travel to the Tudor era or the American West or hop a quick flight to Bangalore where your character may be following a lead on the tail of a criminal? Or, what if, you’re writing a scene in the middle of a blizzard while it’s 90 degrees Farenheit outside? We have to be able to mentally, emotionally, and physically transport ourselves to these times and places. We want to be able to think “outside the box.” Those of you who write Sci Fi even have to transcend dimensions.
So for this week’s post, I’m going to offer a few exercises to help flex your imagination muscles and then I want to ask you to either offer up an exercise of your own or share your response to one of the exercises that one of us posts. Or both. Go ahead and get in touch with that inner child and play!
You are a small dog. How do you experience the world around you? Choose your own setting and characters.
You are a reporter called upon to interview a great religious or political figure? Choose your own interviewee and describe one or two questions you would like to ask and their response to your question. Include setting and body language if you want.
You live in (choose a country you have never visited). Describe the scents and tastes of the foods. This may take a bit of research.
You are dying and cannot speak. Who is with you and what is said?
It is the opposite season of wherever you are now. Describe the scene you would see outside.
I’m anxious to see your response and I hope to use one of YOUR exercises to strengthen my own power of imagination. Now, go play.