Anger–dVerse MTB

Art: Clyfford Still, on Pinterest

Art: Clyfford Still, on Pinterest

Depression is Anger Turned Inside-Out
A Narrative Poem

She hadn’t touched her paints for a while. In the other room an unfinished canvas lay propped on an easel. Orange and cerulean blue paint danced in cacophonous colors and screamed at her in taunting ecstasy. One evening she’d smeared a palette knife of black paint in a thick wavy line down the middle of the canvas—the result only heightened the drama. She abandoned her work for now—she couldn’t paint and wouldn’t write—not since he told her he wouldn’t see her anymore.

Today, dVerse Poets, hosted by Frank Hubney, invites us to submit a narrative poem–as I see it, a bit of prose that is written poetically. That implies incorporating poetic elements such as metaphor and sensory details, active verbs etc. This is a tiny piece that I adapted from my novel “The Sin of His Father.”

FREE ON KINDLE: “The Sin of His Father”

SEPTEMBER 13, 14, 2015

BOOK DESCRIPTION

Words uttered by his mother on her deathbed, a mystery about his father that she had not confided to him, drove Matt Maxwell to fear that he could become like this man he never knew.

Abandoning the woman he loved, his closest friend, and a lifestyle that suited him well, Matt made choices that opened him to an unlikely friendship and a new relationship with the God of his youth. However, the terrible secret he harbored eventually took him down a path of self-destruction and alcoholism.

What would it take to embrace his truth, accept himself and his past, and discover peace in the power of forgiveness and love?

BIO

Victoria Ceretto-Slotto lives and writes in Reno, Nevada and Palm Desert, California. A retired RN working primarily in the area of death and dying, she began writing creatively at a time in life when one is supposed to sit back and enjoy the Golden Years.

Victoria has previously published a novel, “Winter is Past” (Lucky Bat Books, 2011) and a collection of Poetry—”Jacaranda Rain, Collected Poems, 2012″ (2013). In addition, “Beating the Odds—Support for Persons with Early Stage Dementia,” is available as a Kindle Single through Amazon.com (2013).

BLURB

A young man travels a circuitous path of faith, self-acceptance and forgiveness, finding freedom from alcoholism and the fear of who he could become.

Novel The Sin of His Father

Novel
The Sin of His Father

DOWNLOAD HERE

Reviews: **** 4.8

The Sin of His Father by Victoria C. Slotto is a story of soul-trouble, the kind that gnaws at us when we can’t face the truth about ourselves or the course of our lives. It is written by a storyteller who sees deeply into the labor of being human: Thirty-ish Matthew Maxwell struggles to integrate his mother’s dying words into his already troubled life. Monica is the young woman he loves, but dumps, sending her reeling into alcoholism. Craig is Matt’s lifelong, and only, friend, who has lost all respect for Matt for what he does to women. Uriah is a Franciscan priest who befriends Matt and tries to help him heal. Hog, a big Harley-riding guy, becomes Matt’s Alcoholics Anonymous sponsor and doesn’t let him get away with anything. Matt’s journey takes him inside the Franciscan life, which he loves, as he does Monica, but not more than his need to understand and forgive himself, his mother and his father. It is a well-written, deep and touching story not easily forgotten. The story will make you cry at the end and perhaps hold it to your chest and say, “I love this book.” That’s what I did. 🙂

Posted by Pamjp on Amazon.com

Kindle Give-Away Announcement

Dear Blogger-Buddies,

I wanted you to know about an opportunity that I am offering in a couple of weeks. This book is classified as General Fiction, with a theme of forgiveness that reflects my Christian views–though I do believe the message is universal.

In the meantime, if any of you have already read it and haven’t yet put up a review on Amazon, I would be so grateful if you would. Four more and I can promote it on another website.

***

On September 12, 13, and 14th I will be offering a free Kindle Give-Away of my novel, “The Sin of His Father.” Click on the title to take advantage of this offer. If you are willing to do a review on Amazon.com or Goodreads.com, I would be so grateful. Print copies are also available for purchase. Ask me about signed copies–victoria@victoriacslotto.com

Novel The Sin of His Father

Novel
The Sin of His Father

 

 

BOOK DESCRIPTION

Words uttered by his mother on her deathbed, a mystery about his father that she had not confided to him, drove Matt Maxwell to fear that he could become like this man he never knew.

Abandoning the woman he loved, his closest friend, and a lifestyle that suited him well, Matt made choices that opened him to an unlikely friendship and a new relationship with the God of his youth. However, the terrible secret he harbored eventually took him down a path of self-destruction and alcoholism.

What would it take to embrace his truth, accept himself and his past, and discover peace in the power of forgiveness and love?

Image: hecatedemetersdatter.blogspot.com

Image: hecatedemetersdatter.blogspot.com

February Desert

 

Photo: kesq.com

Photo: kesq.com

Even in the desert, February
winds harass the trees,
whipping fronds from their palms.

Hummingbirds seek shelter
in clumps of orange Lantana,
appear surprised by winter’s onslaught.

Mother joined us for a Valentine’s
Day visit. Alone for too many years,
she still cannot befriend the loneliness.

That night the desperate clamor of frogs
promised us an early spring
Wind howled its objection.

This poem is from 2010–this past February was not like this until yesterday when significant winds did batter us–and today, March 1st, we have a much-needed steady rain.

Today (March 1) and tomorrow, my most recent novel, “The Sin of His Father,” is available (for free) on Amazon.com as a Kindle giveaway. If you do upload and read it, I would be so grateful for a review on Amazon.com or Goodreads. Thank you.

He’s Back!!! And So Am I–Monday Meanderings

I’ve been almost AWOL in my blogging world for the past six-seven weeks, and now I will share with you one big reason: my husband has been away–in the desert–overseeing and working on a major remodel–primarily of the kitchen. If you ever wonder what your spouses or partners do all day, send them on an extended vacation. It’s been busy.

While he’s been away, I worked on the final edit of the novel I finished several years ago, The Sin of His Father, and am expecting the proof to arrive on Tuesday. I haven’t decided whether to launch it before the holidays or to wait for the New Year. I have a few things happening in November, including surgery on my elbow which may impair my ability to engage.

Cover Photo: Birgit Lerhner Cover Design: Victoria Slotto

Cover Photo: Birgit Lehner
Cover Design: Victoria Slotto

I’ve also launched another blog–“Be Still and Know That I Am God”–spirituality with a Christian twist. I hope you will stop by for a visit.

Have a happy, creative and productive week. I’m off to pop the cork on a bottle of champagne to celebrate David’s return!

Check out my website for a preview of “The Sin of His Father,” Chapter One. WHEN YOU GET TO THE PAGE, YOU WILL NEED TO SCROLL DOWN.  Thank you.

Novel Excerpt–Characterization

Excerpt (Chapter 2) from “The Sin of His Father” introducing the protagonist’s former girlfriend. Monica is an important, although secondary character. I would much appreciate any critique you may be willing to offer.

The scent of oil paint permeated the two-bedroom apartment that was a twenty-minute walk from the Art Institute of Chicago. Monica Bertolini didn’t notice—this was how home smelled to her.

While chaos reigned in her studio, the small living room was an illustration of perfect order and balance. In one corner, on a small desk, Monica had piled stacks of paper in neat towers. One held a list of ideas for non-fiction articles. Another, short fiction, which she needed to edit and submit. A file folder contained handwritten outlines and random scenes, in no particular order. Someday she hoped to merge these into the idea for a novel that floated around in her brain. She’d framed the borders of her darkened monitor with Post-It notes in brilliant pink—testimony of works in progress and things to do, but she hadn’t looked at them in days.
The north wall of the room boasted a library of books: fiction, non-fiction, writing how-to’s, art history and techniques, and general reference books. Monica had arranged them by category, in alphabetical order by author.

Through the bay window on the west wall of the room, Monica saw Lake Michigan. Today the water was still and silver-cold. The sky, too, was gray, even misty. Maybe she should paint this landscape that matched her mood in every detail.

In the adjoining room an unfinished canvas lay propped on an easel. Orange and cerulean blue paint danced in cacophonous colors and screamed at her in taunting ecstasy. One evening, in abjection, she had smeared a palette knife of black paint in a thick wavy line down the middle of the canvas. The result only heightened the drama. She abandoned her work for now: she couldn’t paint and wouldn’t write. Not since Matt had told her he couldn’t see her anymore.

When her father called from Maine the previous evening he’d inquired about her work. She tried so hard to mask her depression, but when he had been unable to pin her down, he’d questioned her directly. She’d never been able to lie to her parents, especially not now. It was a miserable thing to be so dependent on them and their money. They’d encouraged her and even paid for her education. A dual Masters of Fine Arts, in writing and painting, was no small accomplishment, no small investment. She knew that, and everyone had promised her, as she had promised herself, that she would be a success. But now, she just couldn’t force herself to pick up a brush or a pen.

Monica believed that Matt loved her, and knew that she loved him. Her vision and hope had been pinned on the knowledge that they would spend a lifetime together. Hadn’t he spoken of marriage and kids? Had she heard it wrong, when he dreamed aloud of moving to California? “I’ll get work in Hollywood,” he’d bragged. “They need plenty of private eyes there, stalking all those cheating husbands.” Not that he’d lacked for work in Chicago.

“You can do the art scene there,” Matt told her. She remembered his exact words and the hum of excitement in his voice.
So what had happened that caused him to call it off?

The Chicago Tribune lay folded in her lap. Half of the headline blurted out something about the presidential campaign. She couldn’t take much more of that—it was still almost a year away. She tossed the front section to the floor and began digging for the Horoscopes when the name Maxwell, in bold print caught her eye. Above it, in a smaller font, Monica read the name of Matt’s mother: Ellen Margaret.

The heaviness that had hung over Monica’s heart lifted, replaced by a sharp stabbing pain. How could they reduce Matt’s mother to a narrow column, only eight lines in length? Was that what a life came down to? Monica reached for the phone and hit the speed dial she still had set up for Matt, but ended the call before the first ring. Matt didn’t want her to be a part of his life anymore. She knew that for sure now—he hadn’t even told her about Ellen’s death and the woman was not only his mother, she was Monica’s friend, and he knew it.

It’d been barely a month ago that Monica had spent the afternoon with the frail lady. She’d pushed Ellen’s wheelchair around the spacious grounds of the nursing home then Monica had parked her beneath the branches of an ancient elm tree and fed her some ice cream that she’d toted in a cooler. Over the months that Monica had been dating Matt, the two women had become close. Recently, Ellen couldn’t endure longer outings and had a hard time remembering details of their visits for long after the event, but she had no confusion about Monica and how the girl felt about her son. Their common love for the enigma that was Matt cemented their own relationship.

A distant conversation played through Monica’s mind.

“You’ve got to understand him, Monica, me dear,” Ellen had said in a lingering brogue. “He’s never had a man to show him the ropes.” Back-lighting had glistened through the outline of Ellen’s disheveled hair, framing a weary face.

“What do you mean, Mrs. Maxwell?” Monica had asked. It seemed to her that Matt had learned his roles pretty well. He was thoughtful, anticipating her every need. He was romantic—flowers and little notes, sometimes written on paper towels or, once, the margins of the page of a phone book. And as far as lovers went, he didn’t seem to need much modeling in that regard. But then, Ellen wouldn’t know that, would she? Monica blushed at the thought.

“What do you mean?” Monica prodded again.

“I think he’s afraid.” Ellen blew the words out between wheezes. “He’s just afraid of love. I pray he doesn’t hurt you.”

As they’d made their way back to Ellen’s room, down the long, florescent-lit hallway, a song from long ago played in the background and carried the woman to another dimension. Monica had left the woman with her reflections and walked slowly toward her car.
A Mass of Resurrection will be held, she read, at ten o’clock on Wednesday…. Monica decided to go. Maybe Matt wouldn’t want her there, but damn it! Ellen was her friend.

Linked to the writing prompt I offer at “Into the Bardo.” Please stop on over and browse.

Orange–Flash Fiction

Every Picture Tells a Story

Every Picture Tells a Story (Photo credit: Naccarato)

If you’re at dVerse Poets Pub and looking for my Open Link Night Submission, you’ll want to scroll down to the previous entry. Of course, I’d love your input on this as well!

Orange– Five Sentence Flash Fiction

She hadn’t touched her writing or her paints for a while. In the other room, an unfinished canvas lay propped on an easel. Orange and cerulean blue paint danced in cacophonous colors and screamed at her in taunting ecstasy. One evening she had smeared a palette knife of black paint in a thick wavy line down the middle of the canvas and the result only heightened the drama. She abandoned her work for now—she couldn’t paint and wouldn’t write—not since Matt had told her he couldn’t see her anymore.

This week, for the Five Sentence Flash Fiction Prompt, the word du jour is Orange.I couldn’t resist sharing a short excerpt from my up-coming novel, The Sin of His Father with you. Thanks to Lillie McFerrin for hosting this prompt.

More details on the novel with be forthcoming soon on my Website.

Photo available through Wikipedia with thanks to Naccarato.

Monday Morning Writing Prompt–Exploring Opposites.

Yin and yang stones

Image via Wikipedia

A useful skill for a writer is to be able to enter into the mind of his or her point-of-view character. Empathy and imagination combine to create a richness that would be absent if we remained content to parrot our own way of seeing life.

For today’s prompt, I’d like to challenge you to write flash fiction, poetry or essay in which you “become” someone who expresses life in a way that is opposite of your own experience. For example, if you are progressive in your thinking, write from a conservative point of view. If you are religious, try to imagine life as an agnostic. If you’re male, female. And vice versa for all of these and anything else you can think of. And try not to slam that contrary way of looking at things–truly espouse it.

For my second novel, I decided it would be fun to write from a male point-of-view. I haven’t shown it to a man yet, but let me put a small excerpt out there. I truly welcome your critique…especially from you men out there.

This begins the second scene. The protagonist, Matt, has just attended his mother’s death in a nursing home. Before she died, she confessed to him that she had lied to him about his father leaving her when he was a baby. She told Matt that he had been conceived in an act of rape.

 From The Sin of His Father:

Matt leaned against the rough bark of an ancient oak tree. Employees were beginning to make their way into the building through the glass door across from where he stood. He watched them slide ID cards into the time clock then scurry down the hall to the nurses’ station for report. One woman, an aide Matt knew, heaved her bulky frame onto the park bench to sneak in a few puffs from her cigarette before heading on in to learn at report that Ellen Margaret Maxwell had died a couple of hours earlier.

 Across the lawn, large crows helped themselves to bread crumbs. Matt knew that it had been Edward Riley, a resident of the facility, who’d scattered them. One of the birds interrupted breakfast to stare at Matt—Matt would have sworn it was so—and his skin tingled at the thought of stories his mother used to tell him of dead people coming back as black birds. Beside the predator, strewn feathers told of a smaller bird that had lost its struggle to keep on living. Matt’s grief came pouring out. That it was because of a fragile creature stunned him at first before he recognized the similitude. Like the wren, his mother fought her whole life for food and survival. She’d known a dark monster, too. Not one that would destroy her suddenly, mercifully, but one that most likely haunted every moment of her adult life. One that tore her down from the inside-out and in the end defeated her

The sadness Matt felt for his mother weighed heavy in the pit of his stomach. He swallowed air then swallowed again. The taste of the bitter coffee he’d sipped a few hours earlier crept up his esophagus and caused him to gag. 

Then another notion caught his attention. Why hadn’t she ever told him? Why had she borne this pain alone? Anger had always come easily to Matt but this was different. This was an energy that blinded him like the sun that shone with full force now, burning its way into the core of his being. His rage at his mother’s deceit caused his whole body to shake. Matt took a long draught from his pipe and felt the effects of nicotine spread inside him. He tried to go with it and relax, but couldn’t avoid the sense that everything in his life was a sham, a lie. He sank into the grass at the base of the tree and leaned against the rough bark.

It wasn’t long before guilt joined the fray. His mother had left him before he had a chance to absorb the full impact of what she’d just revealed. She’d died without his absolution, without his even being able to feel forgiveness.

Matt took in another mouthful of smoke and let the flavors roll around on his tongue. He blew it out slowly and smelled the slightly nutty aroma of the Cavendish blend. The crow had flown into the branch of a near-by tree and waited, perhaps for another victim. Matt watched the bird as it sat frozen in time. When, at last, it swooped off into the horizon, Matt caught his breath in fear.

 What if he was like that crow? What if he was a predator? What if he, too, carried genes that could cause him to be violent? Or deviant, like his father?

Now his mother was dead. He hadn’t had a chance to ask the questions that pressed him for answers. Before he could even name the deception that snaked among the crevices of his existence. Before he could understand the enormity of its impact on her life and on his own. Before he could forgive her deceit.

I look forward to reading your response to this prompt. Please leave your link in the comments section of this post so we can share what you’ve written. Have a happy, productive week.

 

 

Wordsmith Wednesday–Avoid Stereotypes in Writing Fiction

Bikers

Image by monkeymanforever via Flickr

Stereotypes are generalizations about a group of people to whom we attribute a defined set of characteristics. Consider the images that come to mind when you think about certain racial or ethnic groups, sexes, religions. How do you define/visualize a liberal or a conservative? A fundamentalist or an atheist? A millionaire or someone living in a ghetto?

It’s important to pepper your writing with a diverse cast of characters and one way to accomplish this is to throw in people of varying backgrounds and belief systems. However, if you stick to stereotypical roles you risk boring your reader and losing the element of surprise. That’s when it can be helpful to break ranks and create a character who defies the norm.

Here’s an example from my novel “The Sin of His Father.” Matt, the protagonist is studying to be a Franciscan priest. He has tumbled into alcoholism. His mentor, Uriah, an old Franciscan, is taking him to meet the man who will become his AA sponsor:

A man, about the size of Goliath, emerged from the back of the house. “Hey, old man, you bringin’ me another one?”

Hog, as Uriah called him, appeared to be about forty years old, going on ninety. Hog’s raspy voice was small for his size. At about three hundred pounds, the six-foot-something man towered over the two Franciscans but everything in his manner deferred to Uriah. A scar shot down the man’s unshaven face like a bolt of lightning. His muscular arms flexed under a complex of tattoos and his stained tee-shirt bore a Harley-Davidson logo and barely covered an immense belly. Half moons of sweat bled out under Hog’s arms and the smell mingled with all the other odors in the house.

Okay. Stop here and think about who this man might be. What does the description so far tell you? Here’s where the twist comes in:

A stereotype of an ex-con came to mind, so that when Uriah completed the introduction, Matt gasped as though someone had knocked the wind out of him.

“Matt, meet my friend, Hog. He was a Franciscan brother for eighteen years and has been my friend for longer than that. Now he works with the poor at our homeless shelter over on the west side. He’s helped a lot of men. He’ll help you too, won’t you, Hog?”

Soon after this, Matt learns that Hog has a Master’s degree in English Literature. Who would’ve guessed it?

Writing Exercise: Take a look at one of your short stories or novels that you think could use some spicing up. Select a character who is pretty well-defined by his gender or race or whatever. Now write a description of that character and add an element of surprise. What does that do for your story? Let me know how it works for you.

Wordsmith Wednesday–Symbolism

Pink Tulips Lit by Afternoon Sun

Image by danagraves via Flickr

Our writing prompt on Monday asked us to look at symbolism in dreams and this got me to thinking about the value of symbols as a tool to enrich our creative writing, whether prose or poetry.

Let’s take a look at the definition of symbol as found in dictionary.com:

  • something used for or regarded as representing something else; a material object representing something, often something immaterial; emblem, token, or sign.
  • a word, phrase, image, or the like having a complex of associated meanings and perceived as having inherent value separable from that which is symbolized, as being part of that which is symbolized, and as performing its normal function of standing for or representing that which is symbolized: usually conceived as deriving its meaning chiefly from the structure in which it appears, and generally distinguished from a sign.

Here a few examples of how cinema and fiction have used this device.

  • Remember the role of music in Jaws? There are a few bars that are repeated as a herald of an up-coming shark attack and every time the viewer hears those chords, he grips the arms of the chair.
  • I recall a movie from when I was quite young (don’t ask me the name) when the scent of gardenia forwarned that someone was about to die.
  • The entire premise of Moby Dick is based on the whale as a symbol of a life-goal that as yet to be achieved.

I offer you another example from my second novel, The Sin of His Father. This scene takes place immediately after the protagonist’s mother has died. On her deathbed, Matt’s mother tells him a secret she has kept from him–that he was conceived in rape. He is standing outside the nursing facility where she had been a patient:

Across the lawn, large crows helped themselves to bread crumbs. Matt knew that it had been Edward Riley, a resident of the facility, who’d scattered them. One of the birds interrupted breakfast to stare at Matt—Matt would have sworn it was so—and his skin tingled at the thought of stories his mother used to tell him of dead people coming back as black birds. Beside the predator, strewn feathers told of a smaller bird that had lost its struggle to keep on living. Matt’s grief came pouring out. That it was because of a fragile creature stunned him at first before he recognized the similitude. Like the wren, his mother fought her whole life for food and survival. She’d known a dark monster, too. Not one that would destroy her suddenly, mercifully, but one that most likely haunted every moment of her adult life. One that tore her down from the inside-out and in the end defeated her.

In prose, symbols should emerge from the writing process itself. It’s important not to force it. That is to say, most often you don’t choose a symbol and write your manuscript to fit. Just the opposite. The symbol grows as you seek to express a character’s feeling in metaphor.

The opposite may be true in poetry where the poet chooses a symbol first and takes it from there.

If you are looking for help in finding an effective symbol, a website or book dealing with dream imagery can help.

You may be surprised to find that a theme grows out of your choices of symbolism, even though you are not conscious of it. That happened for me the first time I brought the opening chapters of Winter is Past to a workshop. One of the other participants pointed out the role that tulips in Claire’s garden played:

My breath fogged the window panes but in amber light cast by late afternoon sun I saw tips of irises. Spent gold and purple crocuses spattered the flowerbed in between tulips that had tried to open, but had frozen, stunted in their voluminous leaves.

This image recurs in the novel as Claire struggles to come to grips with her own insufficiency until the flower at last comes into full bloom.

  • Can you give examples of how you’ve used a symbol in your own prose or poetry?
  • Did it develop on its own, or did you choose it consciously?
  • What other works can you cite that use a symbol to create texture and atmosphere?

Next week I will be traveling so this article will not be up on Wednesday and I trust, if I can’t make it happen, you will understand.

Happy Writing…enjoy the process.