Unless a grain of wheat falls into the earth and dies, it remains alone; but if it dies it bears much fruit.
John 12, 24
Such joy we find, in spring, to plant a seed,
to tuck it deep within expectant earth
to wait, in hope, for summers verdant growth,
the offspring of apparent winter death,
a promise that we, too, shall know rebirth
when we, at last, have spent this fragile life.
You ask me why we long for lasting life?
Perhaps you’ve never sown a lowly seed
then seen that nature nurtures its rebirth
unnoticed, ‘neath the skin of Mother Earth.
So small this grain—defying endless death
while flaunting its capacity for growth.
Each seed, endowed with all required for growth
still needs attention to sustain its life,
thus lending meaning to apparent death.
They languish for both sun and rain, these seeds,
and nutrients—the gift of fertile earth,
then time is all that’s wanting for rebirth.
Does not your soul expect its own rebirth?
Does grace not foster spirit’s gentle growth?
And it is not our goal while here one earth
to search for meaning in these days of life?
Tend carefully the soil that bears the seed
and have no fear of your impending death.
The seed, itself, surrenders to its death
so that a flower or tree may know rebirth.
Such beauty shall be born of humble seed
embarking on a journey of new growth.
Thus is the cycle known to every life
that’s clothed in form while dwelling here on earth.
Too short the days we wander here on earth,
too soon we face inevitable death,
so each and every moment of this life
give cause to ponder our sublime rebirth,
to free ourselves for such abundant growth
that we fulfill the mission of the seed.
While here on earth prepare for this rebirth,
for it’s through death we shall achieve new growth.
In losing life you flourish, tiny seed.
Thanks to Shanyn who offer the prompt today for dVerse Poetics: the seed, potential, what can be! Stop by, read, and offer a poem of your own. The pub opens at 12:00 Noon EDT!
A sestina is, for me, a fun, but challenging form to play with. It is a double tritina, using six, rather than three line-ending words. The secret is to choose words along a thematic line, then see where they take you. Should you want to give the form a whirl, this is the pattern: ABCDEF; FAEBDC; CFDABE; ECBFAD; DEACFB; BDFECA. A tercet concludes the rhyme scheme: ECA for ends of lines, BDF in the middle—thus, BE, DC, FA. Just for fun, try writing it using a meter, such as iambic pentameter.