The End–dVerse Prosery

The End

She glanced out the window and saw the sun easing behind the horizon. An exhausting day left her feeling emotionally bereft, empty. The glorious colors of autumn had begun to fade and leaves hopped off the trees into oblivion, much as he had as he slammed the doors behind himself, leaving her in utter darkness. She crumpled the paper and laid it in the fireplace that he had stacked with dry wood as he told her of his plans to divorce her.

Then she went to the garage and grabbed the can of gasoline they kept on hand for the snow-blower and lawn-mower. She spilled it throughout the house they had shared together. If it’s darkness we’re having, let it be extravagant, she thought. She wondered if she should stay or leave before tossing the lighted match into the fireplace.

Flicker–labeled for non-commercial reuse.

Written and posted for my prompt at dVerse Poets’ Prosery, using a line from the poetry of Jane Kenyon (in italics). Please join in. It is open all week.

Fragile Beauty

Fragile Beauty
A Tribute to Poet, Jane Kenyon

Photo: David Slotto

Photo: David Slotto

In the darkening June evening
I draw a blossom near and drawing close
search it as a woman searches
a loved one’s face.

Jane Kenyon
“Peonies at Dark”

As night approaches
we sit in silence
sipping beauty in our garden.
Sparrows feed greedily
as hummingbirds circle our heads
before approaching the nectar, descending
to drink deeply in the waning light.
The heavy mood forgotten
we look to new beginnings
in the darkening June evening.

You turn to me.
I sigh and take your hand
and in the taking release fear.
You are there, and in the night
you remain my light.
The answer to my questions, no one knows.
So now we trust in new beginnings.
You lead me to a fading flower,
lift up its fragrance to my nose.
I draw a blossom near and drawing close

inhale its dying beauty
breath deeply of its tenuous life.
What lies ahead will surely hold our deaths,
another reminder of fragility,
nature’s stunning beauty.
Throughout our lives we live as learner,
probe the center of a flower as though
it holds truth’s secrets, and it does.
I pull the blossom close now and in the shadow of our birch
search it as a woman searches

to know the love she shares,
the lives she touches day-by-day.
I think of Jane, a poet who observed
the details of each moment, giving birth in words
as though a child to live its own life.
Too short her own, and harsh her earthly race
to happiness. Preoccupied with death, like her,
I turn to whom I love and cherish all I know
of gentleness, of care. And in the space
(I find) a loved one’s face.

 

It’s hard to believe that it’s been 3 years since Brian and Claudia opened the doors to dVerse Poets Pub and invited me to join them as a team member. These have been poetry-drenched years–an invitation to write more poems than I ever thought I was capable of, an invitation to drink deeply of the inspiring work of poets from all over the world and an opportunity to learn so much about the art and craft of poetry through the thoughtful work of my fellow team members and the reading/self-education that hosting compelled me to pursue.
jane

Yesterday,  we were invited to write an ode to a poet.  For this second post, I’ve cheated a bit, following neither the proscribed form for an “ode” and by choosing a poem I posted a while back, based on the work of Jane Kenyon–an American poetess who died too young and who has mirrored for me the power of close observation–observation of nature and of everyday life.

Jane Kenyon, 1947-1995, grew up and lived her early life in Michigan, moving later to New England. Her poetry is simple and emotionally evocative. In the reading, one discovers a story of her too brief life, told in exquisite detail. Kenyon battled depression off and on, lived for her family, and died of leukemia. The theme of death weaves through her work. She was also a proficient translator of Russian poetess, Anna Akhmatova.

In this poem, I’m not always sure where Jane begins and I end. It goes without saying that, along with Mary Oliver and Stanley Kunitz, Kenyon has been a huge influence in my own writing and my own living.

We hope you will join us at dVerse Poets’ Pub for the week-long celebration of our anniversary. It will be a “Ball”

Fragile Beauty–A Glosa


Fragile Beauty

A Tribute to Jane Kenyon

Jane Kenyon

Jane Kenyon (Photo credit: Wikipedia)

In the darkening June evening
I draw a blossom near and drawing close
search it as a woman searches
a loved one’s face.

Jane Kenyon
“Peonies at Dark”

As night approaches
we sit in silence
sipping beauty in our garden.
Sparrows feed greedily
as hummingbirds circle our heads
before approaching the nectar, descending
to drink deeply in the waning light.
The heavy mood forgotten
we look to new beginnings
in the darkening June evening.

You turn to me.
I sigh and take your hand
and in the taking release fear.
You are there, and in the night
you remain my light.
The answer to my questions, no one knows.
So now we trust in new beginnings.
You lead me to a fading flower,
lift up its fragrance to my nose.
I draw a blossom near and drawing close

inhale its dying beauty
breath deeply of its tenuous life.
What lies ahead will surely hold our deaths,
another reminder of fragility,
nature’s stunning beauty.
Throughout our lives we live as learner,
probe the center of a flower as though
it holds truth’s secrets, and it does.
I pull the blossom close now and in the shadow of our birch
search it as a woman searches

to know the love she shares,
the lives she touches day-by-day.
I think of Jane, a poet who observed
the details of each moment, giving birth in words
as though a child to live its own life.
Too short her own, and harsh her earthly race
to happiness. Preoccupied with death, like her,
I turn to whom I love and cherish all I know
of gentleness, of care. And in the space
(I find) a loved one’s face.

Photo Credit: Denver Landscaping Network

Photo Credit: Denver Landscaping Network

Jane Kenyon, 1947-1995, grew up and lived her early life in Michigan, moving later to New England. Her poetry is simple and emotionally evocative. In the reading, one discovers a story of her too brief life, told in exquisite detail. Kenyon battled depression off and on, lived for her family, and died of leukemia. The theme of death weaves through her work. She was also a proficient translator of Russian poetess, Anna Akhmatova.

In this poem, I’m not always sure where Jane begins and I end. I’m linking this to Sam Peralta’s excellent prompt for dVerse Form for All, in which he explains the difficult, but rewarding form of the Glosa. I suggest you head on over and read all about it. You may be a bit late to write and post one of your own, but there’s always Open Link Night!

Wordsmith Wednesday–Poetry and Prose

2006 National Poetry Month poster, designed by...

Image via Wikipedia

Since April is National Poetry Month, I think it’s important to pay homage to this sometimes undervalued art. Many prose writers, especially those who write literary fiction, dabble in poetry–either as readers or poets–and find that doing so enriches their own work. Here are a few things to consider:

POETRY:

  • Engages the senses
  • Pays attention to details
  • Uses symbolic language
  • Expresses thoughts succinctly
  • Respects the rhythm and sound of words
  • Makes use of metaphor and simile
  • Uses description to express feelings
  • Breaks the rules!

I invite you to treat yourself to a book of poetry, brew a cup of tea or coffee. Now, hunker down in your favorite chair and read. My personal preference is for poets who are not so obscure that you need a lit professor to help interpret their work. Here are just a few of my favorites, most of them contemporary: Ted Kooser, Kim Addonizio, Jane Hirschfiled, Jane Kenyon, Ellen Bass, William Carlos Williams, Pablo Neruda, Dorianne Laux. Stanley Kunitz. Consider browsing poetry blogs and websites and sample some of the excellent poetry that is there for the taking.

Happy writing. Enjoy the process…and try writing a poem of your own. If you’d like to post it in comments, I’d love to share it.

Thirteen Ways of Looking at Bread–Poetry Potluck

Oats, barley, and some food products made from...

Image via Wikipedia

Thirteen Ways of Looking at Bread

i.
taste buds awaken
to the aroma enveloping our neighborhood
mrs. curry is baking
this morning

ii.
staple of generations
cultures
peoples
“staff of life”
a common denominator
across civilizations

iii.
some people
are like bread
a hard outer crust
protecting
a soft, warm core

iv.
other people
like bread
get stale
if not attended to

v.
sometimes
dough is sweet
sometimes sour
like people

vi.
bread as sacrament
food for the soul
manna
communion
transforming the mundane
into divinity

vii.
bread as dough
show me the money
divine
become
mundane

viii.
some people are like
unleavened bread
a bit dense

ix.
other people
are like yeast
just a lot of hot air
and they know how
to get a rise
out of you

x.
the beauty of bread
is in its texture
and color
rough
smooth
scarred
seedy
black
brown
golden
ruddy
white
like people

xi.
bread is a vehicle
butter
jam
sandwiches

xii.
bread fills
our emptiness
(for a while, anyway)

xiii.
eventually
people learn
we do not live
by bread alone.

Submitted to Poetry Potluck:http://jinglepoetry.blogspot.com/ for which this week’s theme is Food, Drink and Indulgences.

This is a poetry sequence: a poetic device recently discussed in The Writer magazine (October, 2010) by poet Marilyn Taylor. She discusses Wallace Stevens poem: “Thirteen Ways of Looking at a Blackbird,” I couldn’t resist trying this form and hope some of you might enjoy playing with it as well. Other poets who have written poetic sequences include Edna St. Vincent Millay, Sharon Olds, Jane Kenyon, Ezra Pound, William Carols Williams and Walt Whitman.