I’m in love with verbs. Properly chosen, a verb can replace adjectives and add life to your manuscript. Here’s a suggestion for editing: Do a word search for boring, passive verbs–variations of to be, to have–you get the idea. Evaluate adjectives and adverbs. Is there a verb that will better create the desired effect and inject a shot of life into your work?
I’ll give you an example from “Winter is Past.” Claire, my protagonist, is with her donor, Kathryn, who’s receiving dialysis. I could have written:
I had memories of dialysis when I sat in a chair and chemicals cleaned my blood. There were lots of unpleasant side effects. I was waiting for a cadaver transplant.
While that sums up the scene, do you really have a sense of what Claire experienced? Here’s what I wrote, instead:
A flashback swamped me and I broke out in a sweat. Memories of hours bound to a recliner poured in: claret red blood cycling in and out of my body; chemicals dispensed by a machine that beeped and groaned; nausea, weakness, restless legs and insomnia; the thought that someone would have to die in order that I might live.
Now, let me show you how verb choices can enrich a poem:
Textures
About five-thirty
the morning of Friday before
day-light-saving-time,
light spills through blinds,
pools into discrete
silver puddles
at the foot of my bed.
Through the half-moon window
near the ceiling,
swatches of gray satin
unfurl across the sky.
Tears in the fabric
allow slices of blue to
peek through,
toss hope in my face.
In that shadowy space between
asleep and awake
ideas pelt my brain
so I can’t escape back into
my dream about the circus
where I rode barefoot,
standing on the rough coat
of a white mare.
I slip into awareness.
Cold smooth wood
greets my feet as I stand
and yawn.
My dog
shakes her silky fur, glares at
me for interrupting her dreams.
We stretch, enter the day,
touch life.
Writer beware. Don’t force it. If it’s stilted your writing will become cumbersome. He said, she said works fine most of the time. You don’t want to distract the reader’s by using words like retorted, exclaimed, insisted. Take a look at a scene or a poem with an eye for variations of verbs like to be, to have, to go and ask yourself if you have other choices that will liven up your writing.
(Note: this post is adapted from a previous post 3/10/10–but back then, nobody was reading my blog!)